Egyptian Hieroglyph Font

Based on the Egyptian alphabet, Egyptian Hieroglyph is a stunning and historical dingbats font with unique twist.

https://www.myfonts.com/collections/egyptian-slate-font-monotype-imaging

Just as the camera adds weight to human faces, serifs can add weight to typographic faces. Rod McDonald trimmed and adjusted his new Egyptian Slate design as it emerged from its sans serif predecessor, the Slate typeface family. Slate is a great sans serif design, and the addition of his Egyptian Slate to your typeface library will make it even more versatile.

https://www.youworkforthem.com/font/T1508/egyptian-505/

Designed by André Gürtler in 1966, Egyptian 505 is a versatile slab-serif release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian.

Gentlemen Revival Font

Gentleman Revival is a unique and sophisticated display font. With gorgeous swashes, this font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

https://www.myfonts.com/fonts/shinn/bodoni-egyptian-mono/

As an ironic gloss on the unsophisticated “typewriter” genre, the Bodoni Egyptian Mono typeface channels the classic dignity of early 19th century letter forms, presenting a quite proper family of OpenType fonts, with a copious range of OpenType features—small caps, fractions, superior and inferior figures, alternate old style figures—rendered throughout five weights in both roman and italic.

Trilogy Egyptian Wide Font Family

Available across a range of widths and bolder weights. It has a full character set capable of complex typography, but performs equally well as a big headline, where room allows. Designed with a strong and impressive personality; it commands attention. Great when you want to make your presence felt. As part of the wider Trilogy family it shares certain details, and harmonises well, with Trilogy Sans and Trilogy Fatface.

Trilogy Egyptian Expanded Font Family

Available across a range of widths and bolder weights. It has a full character set capable of complex typography, but performs equally well as a big headline, where room allows. Designed with a strong and impressive personality; it commands attention. Great when you want to make your presence felt. As part of the wider Trilogy family it shares certain details, and harmonises well, with Trilogy Sans and Trilogy Fatface.

https://commercialtype.com/catalog/guardian/guardian_egyptian_text

Taking its basic form from the Egyptian, but with a completely rethought italic, Guardian Egyptian Text works perfectly in smaller sizes and is robust enough to cope with adverse printing. A comprehensive character set, including small capitals, fractions and mathematical symbols, it is perfect for even the most complicated of typographic problems.

http://www.myfonts.com/fonts/shinn/bodoni-egyptian-pro/

Beneath the dominant signifier of identity, a surprising dimension of Bodoni is revealed—its core architecture, stripped of the famous high contrast cloak. Further subverting typographic norms, a monoline of even width (in all but the heaviest weights) here describes capitals, lower case, and serifs. And yet a certain quaintness is evident; this is, after all, both deconstruction and historical fiction.

OTF | 14 Fonts | JPG Preview | 1.9 Mb RAR